Bethany Brinton writes music for your stories.

HEAR HER WORK

ABOUT BETHANY BRINTON

Bethany Brinton’s music can be heard in award-winning projects of all mediums, including songs for Amazon’s Pete The Cat, Disney’s Milo Murphy’s Law, and the main titles for Amazon's James May: Our Man in Japan. She has composed for highly awarded films chosen for the San Diego International Film Festival, Los Angeles Diversity Film Festival, Independent Shorts Awards, and has won an Audience Award in the Dances With Films Festival.

Bethany Brinton is based in Los Angeles. She plays piano, French horn, and trumpet (while adding new instruments to the roster in her spare time). She is classically (and jazzically) trained. In her imaginary spare time, she’s watching movies.

 

CLIENTS

 
 
 

MUSIC

 
 
Animation Reel

Animation Reel

Orchestra Reel

Orchestra Reel

Piano Reel

Piano Reel

TESTIMONIALS

 
Working with Bethany is always an absolute pleasure. She approaches things with both youthful enthusiasm and seasoned professionalism, a combination that is harder and harder to find... Suffice it to say, if you're looking for anyone to help you do ANYTHING musically, I cannot recommend anyone more.

Dan Povenmire; co-creator of Disney's Phineas and Ferb, voice of Dr. Doofenshmirtz

Bethany always picks up really fast on the tone and feel I'm going for. Each and every time she has been able to add that extra expressive touch to heighten the viewers’ emotional response.

David Currey; Creative Director, Encore Interpretive Design

Our animated title sequence for the Amazon breakout hit show 'James May: Our Man In Japan' was something of a last-minute addition, and so the music needed to be fast-turnaround, in a high-pressure environment. Bethany rose to the challenge incredibly, creating a theme that was authentic, driving, attention-grabbing and memorable - everything that we needed! I would absolutely recommend her as a brilliantly talented composer, and certainly wouldn't hesitate to work with her again.

Henry Dalton; Producer, James May: Our Man in Japan

Working with Bethany is a true privilege. She intuitively navigates the seemingly impossible balance between listening to and understanding my vision, while also hearing and suggesting things I never would’ve thought of.

Joe Bolter; Executive Producer, Netflix is a Joke Radio

I can't recommend Bethany enough. She has a unique point of view, a positive attitude, and is an excellent collaborator. Her score elevated my film and made me excited to work with her again.

Maggie Monahan; Writer/Director, Everything is Temp

Bethany is truly one of the most talented, kindest, hardest-working composers I've ever had the pleasure of working with. Her music not only enhanced my shorts, it made them exponentially better. I plan to use her for every one of my future projects. Thank you, Bethany, for being such a great composer and person!

Michelle Gritzer; Writer/Director, A Girl Problem, Do You Have A…

Bethany is incredibly easy to work with! She quickly understands what type of music fits with a scene and creates beautiful and poignant material perfect for any project. I would recommend Bethany to anyone.

Olivia Dunkley; Writer/Director, A Holiday Boyfriend

Bethany created an original full score for an animated pilot that was not only on point with the show premise and the directive we gave her, it was sheer brilliance and lifted the entire piece well above where we could have taken it without her.

Randy Abrams; Producer, The Salem Series

Bethany is one of my favorite composers to work with. She’s versatile, takes notes well, and always delivers great original music that fully supports the story in a film!

Grayson Propst; Producer, A Girl Problem, Do You Have A…

 

PRESS

Press
Theater Latté Da Announces NEXT Generation Commissions

Bethany Brinton, Crystal Manich, and Celeste Moreno are this year’s recipients.

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Theater Latte Da Awards $20,000 Next Generation Commission To Support New Musical Theatre By Women and BIPOC Artists

The NEXT Generation Commission supports the creation and development of new musical theatre projects whose creative teams are at least 50% women artists or BIPOC artists.

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Stream It Or Skip It: ‘Pete The Cat’ On Amazon Prime, Where A Cool Cat Does Cool Things With His Cool Family And Friends

It’s cool, the music is great, and everyone involved knows that its audience is whip smart.

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Birmingham’s 16th Street Baptist Church exhibits tell story of hurting, healing

Visitors are plunged into darkness as a stirring video unfolds with interviews, historic photos, moving music and the reality of the day.

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National Medal of Honor center opens where it all began

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MakersCast Podcast Appearance

Los Angeles, concerts in film, and Phineas and Ferb!

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Motion Pictures Alumna Screens Film at CineArtistry

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SHEET MUSIC

 
 

Fur Elise
(An Improv)

In the Bleak Midwinter
(French Horn/Piano Duet)

Alaska’s Flag
(Piano Solo)

GET IN TOUCH

CONTACT

Please get in touch with press, licensing, and booking inquiries.

EMAIL

brintonbethany@gmail.com